Political candidates can invest in television ads, email newsletters and hyper-targeted Facebook ads. But despite all the high-tech options available to modern campaigns, those old-fashioned lawn signs persist.
Love ’em or hate ’em, these miniature billboards populate the Vermont landscape for weeks or even months every year, so the least the campaigns could do is come up with good-looking signs. We asked two of our graphic designers extraordinaire, Celia Hazard and Rev. Diane Sullivan, to critique the good, the bad and the ugly of 2012’s crop of lawn signs.
To pick your own favorite, vote in the poll at the bottom of the page.
DS: I’m not keen on the mix of fonts.
CH: Yeah, I don’t know about all the fonts. From big and bold to thin and serif...
DS: If I were her, I’d make a joke about Mama Cass. Vote Mama Cass!
CH: The Shumlin font I like.
DS: I like the “Peter Shumlin” font but the “for governor” font is throwing me off. A nice, cute, fat font, and then all of a sudden you’re going to a wedding.
CH: The swoop is just weird. It makes weird shapes.
DS: He should just never do anything except for a big nose and then call it a day. “The nose knows: Shumlin for governor.”
Kit Andrews, candidate for state representative (P)
Gene Bergman, candidate for state representative (P)
David Zuckerman, candidate for state senator, Chittenden County (P/D)
[Note: We loved seeing these three Progressives’ signs, plus “Prog-father” Sanders, displayed next to each other. Who knew Trebuchet was the official Progressive font?]
DS: The little moose is cute.
CH: See, I don’t really like the moose. It’s nice to see different shapes in there, but I feel like if you’re driving by, you’re not going to necessarily know it’s a moose.
CH: The font that they chose for Bernie ... that’s nice.
DS: It’s nice and friendly. I also like the formatting of “for U.S. Senate,” so it’s like “for us” and “for U.S. Senate.”
Diane Sullivan: I don’t like a serif font like that, all capitals. It just looks so ... argh.
Celia Hazard: That’s not good. It’s too airy; it almost becomes like you lose the actual wording.
DS: It just looks like a bunch of letters floating around. Is it the leading? Or the kerning. I don’t know, it’s all weird.
CH: I like the Sorrell font, that’s kinda nice. Like an old Western. The one thing I don’t like is that shooting star.
DS: The star is so graphic-y, and then the shooting thing is like a smudge?
CH: Everything else is super clean, and then that. You can tell that’s not a good stroke.
DS: I do like the light blue over the blue. That’s kinda nice. If the shooting star looked different, maybe if it was a little cleaner, it would be better. Now it throws it off.
DS: See, now that’s good lookin’.
CH: I think that’s probably my favorite one. Those lines, the little Vermont in there...
DS: I like the big, fat name, and then the “governor” is not too skinny, not too fat, nicely spaced. He gets a check-plus.
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Carrie Campbell: Why are they publishing this now it was written in 2010?