When young authors make history, its usually for their unconventional ideas or their reckless, off-the-page exploits. Not so with Shaun Bryer, a 20-year-old junior at St. Michaels College. Bryer is the author of Around Morristown (Arcadia, $19.99, 128 pages), a paperback pictorial history of Morristown, Vermont. He looks more like a choirboy than a hell-raiser. In fact, Bryer is a choirboy; he spoke about his new book over the phone during a recent tour with the St. Mikes Liturgical Choir, preparing that morning for a prayer service at Ground Zero in Manhattan.
Bryer, a lifelong Morrisville resident, attributes his interest in local history to his involvement in the Morristown Historical Society; hes been a tour guide for three years at the Societys Noyes House Museum, and currently serves as its director. Hes also active in other town matters, most notably as the chair of the Morristown Fourth of July Committee. With a double major in American Studies and Elementary Education, Bryer says he took on the book project to do something that would hopefully spark an interest [in local history] in young people.
Local history buffs may be familiar with the books format a collection of annotated photographs and brief introductory essays. Around Morristown is part of the Images of America series produced by Arcadia, an imprint of the Charleston, South Carolina-based Tempus Publishing, Inc. Other Vermont locales represented in the national series include Burlington, St. Johnsbury, Stowe and Brattleboro. When Arcadia expressed interest in covering Morrisville, they logically approached the Historical Society, found Bryer, and the rest is, well, history.
To meet the publishers population requirement generally towns of 7000 or more are profiled Bryer expanded the book to include Morristown and outlying towns like Elmore and Wolcott. He particularly likes Arcadias use of archival photos. I know that people really love photographs, he says. I think its neat to see images of what the town used to be like. Its amazing to see how things have changed.
The image Bryer finds most curious is the last one in the book, a drawing from a rare mid-20th-century postcard he discovered in the Historical Society archives. Titled Morrisville, VT in the Future, the postcard depicts a bizarrely ambitious futuristic scene: old-timey storefronts are the backdrop for an elevated Morrisville-Stowe train line; a street car runs underneath the tracks proclaiming service to Eden, Hyde Park and Morrisville; a blimp flies overhead, imprinted with the words, To Mount Mansfield.
Of course, Bryer observes, Morrisville doesnt turn out anything like that. He points out that the big building with the storefronts burned down in the 1970s, before he was even born. The important thing, he says, is for people to think of the towns future as malleable. In this age of suburban sprawl, the health of any small town depends upon the vision and involvement of its citizens.
Not surprisingly, the young author is considering a run for town office sometime in the near future. But for now, he hopes Around Morristown will inspire a renewed interest in historic preservation and civic life. And if it doesnt, well, at least itll help pay for college he gets 10 percent of the royalties.
While hes hitting the books, Bryer might want to peruse a copy of Deborah Pickman Cliffords The Passion of Abby Hemenway: Memory, Spirit, and the Making of History, out this month from the University of New England Press ($24.95, 360 pages). Hemen-way was a determined scribe who set out, in 1859, to record the early history of every town in Vermont. She faced numerous obstacles, writes Clifford, from money and legal troubles, to floods and conflagrations. Not to mention sexism.
Clifford, a former president of the Vermont Historical Society, reports that on the day Hemenway was to begin her journey, she received a discouraging letter from faculty members at Middlebury College. The professors regarded her plan as impractical and not a suitable work for a woman. How could one woman expect to do what forty men had been trying for sixteen years and could not? they demanded incredulously.
It wont ruin the book to reveal that, despite their lack of faith, Hemenway succeeded in producing the illustrated five-volume Vermont Historical Gazetteer, still in use today. Cliffords book tells the story behind Hemenways effort and excerpts highlights from the Gazetteer. Shell share some of these tales Friday, February 8, at the Vermont Leadership Center in East Charleston.
March is full of literary lions. Middle-bury prof Jay Parini has a new novel, The Apprentice Lover, out from Harper Collins. Chris Bohjalian cranked out another one for Random House The Buffalo Soldier about a Vermont couple that adopts a black foster child. The Haunting of L., the third and final book in Howard Normans Canadian trilogy, is also likely to show up in bookstores at the end of the month. Soon thereafter, look for Lost Nation, from In the Fall author Jeffrey Lent.
The prize for the most curious new endeavor goes to Burlington-based writer and activist Marc Estrin, who picks up where Kafka left off in his ambitious debut novel, Insect Dreams: The Half-Life of Gregor Samsa. Estrin proposes that the chambermaid who swept the insect form of Gregor Samsa into the dustbin in Kafkas Metamorphosis actually sold him to a sideshow. Somebody at Library Journal really liked Estrins revised ending to the Kafka tale; the starred review predicts that Estrins 480-page comic and imaginative tome will become a pivotal literary landmark.