Movies You Missed: The Sacrament | Live Culture
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Friday, October 10, 2014

Movies You Missed: The Sacrament

Posted By on Fri, Oct 10, 2014 at 2:00 PM

click image A.J. Bowen plays a Vice reporter who finds himself covering a thinly veiled version of the Peoples Temple. - MAGNOLIA
  • Magnolia
  • A.J. Bowen plays a Vice reporter who finds himself covering a thinly veiled version of the Peoples Temple.

This week in movies you missed:
It's October again, season of crappy horror releases, so I'm on the hunt for a scare flick that will actually scare me. Where better to look than among movies I missed?

Let's start with The Sacrament, the latest from director Ti West (The House of the Devil, The Innkeepers). This found-footage film has a simple premise: What if Jonestown had happened last year, and Vice Media was there to film it?

What You Missed
Vice reporter Sam (A.J. Bowen) explains self-importantly to the camera that he practices a new form of gonzo journalism called "immersionism." Next up: He'll immerse himself in a utopian community that could well be a cult.

Sam's photographer friend Patrick (Kentucker Audley) has arranged to visit his ex-addict sister at Eden Parish, an overseas colony built by a religious community with a charismatic leader called "Father." Patrick, Sam and Vice photographer Jake (prolific indie director Joe Swanberg) take a helicopter into the jungle, where they're met by guards with machine guns.

When the three young hipsters reach Eden Parish, they find a multiracial community of happy, shiny, hardworking people who insist that Father is the best thing that ever happened to them. Patrick's sister, Caroline (Amy Seimetz), is the leader's biggest fan, even if she seems a tad too close to him. Even cynical Sam finds himself swayed by all the bliss he's seeing — until this happens:


Why You Missed It

The Sacrament played five U.S. theaters this past summer and is now available on Blu-ray, Netflix Instant and Amazon Instant.

click to enlarge screen_shot_2014-10-08_at_3.26.58_pm.png
Should You Keep Missing It?
Here are my criteria for horror movies:

During how many scenes was I genuinely scared?
Two, and they were not the scenes involving the little girl named Savannah, who seems to be a misplaced homage to The Ring (see clip above).

Was I shocked/grossed out? In a good or a bad way?
Let's put it this way: I can't think of a horror movie in which more children die on screen. Even in Hostel: Part II, where a kid gets shot for no apparent reason beyond shock value, the death stays out of frame. (Eli Roth, who produced The Sacrament, seems to be really into breaking this particular taboo; one of his favorite horror films is the obscure Who Can Kill a Child?)

Then again, many real children died at Jonestown — far more than shown here. (Eden Parish has a budget-friendly 167 inhabitants; Jonestown had 909 victims.) Pretty much everything shown in The Sacrament — parents handing cups of poison to their children, babies being injected with cyanide — happened in real life.

West stages his horrifying re-creation effectively, but that doesn't answer the question: Did it need to be done?
click to enlarge screen_shot_2014-10-08_at_3.27.45_pm.png

Did the director do anything new with the formula?

West throws a few twists into the standard (and increasingly tired) found-footage M.O.

The real Jim Jones was obsessed with his media image and made an audiotape of the meeting that resulted in the mass murder/suicide. So it makes perfect sense that Father (a fairly creepy Gene Jones) would appropriate the Vice crew's video equipment and use it to his own ends. The Sacrament is most interesting when it raises questions about the ethics of "immersion" journalism and the reporters' degree of complicity in events they can't prevent.

What I like about West's past work is his willingness to create tension by drawing out a shot or scene to unconscionable lengths, waiting until the viewer's boredom curdles into discomfort and dread. (Mileage will vary, but I thought the wandering-around-the-house scenes in The House of the Devil were terrifying. The scenes where something actually happens, less so.) In The Sacrament, there's a long stationary shot that both tricked me — by going against found-footage expectation — and freaked me the hell out.

click to enlarge This is what brainwashed looks like.
  • This is what brainwashed looks like.
Were the characters so stupid I wanted to see them die?
No, but they are basically just stock figures. Seimetz has been great elsewhere, but she can't do that much with the role of an unquestioning groupie.

Was there any point to it all?
If I'd never heard of Jonestown — if I hadn't grown up with photos of piles of bloated corpses seared into my brain — I might have found The Sacrament horrifying, brilliant and implausible. As it is, I'm wondering why West went to such trouble to re-create events already chillingly portrayed in documentaries like Jonestown: The Life and Death of Peoples Temple (2006). His Eden Parish isn't "inspired by" Jonestown: It is Jonestown in a modern setting. (Of note: Jones' rhetoric of anti-government paranoia feels perfectly at home in 2014.)

That raises the question: Is The Sacrament any more creative and less exploitive than a tabloid TV reenactment? Or than this, also a lightly fictionalized film version?

While the movie's framing does offer a new lens through which to view the tragedy, I didn't find that the Vice reporters' perspective ultimately added much insight. So, while The Sacrament appealed to me as a horror fan fascinated by both journalistic dilemmas and cults, it left a bad taste in my mouth.

Verdict: A couple scares, a couple cringes.

This Week in Theaters
Roxy only: Jeremy Renner plays a crusading journalist in Kill the Messenger.

Roxy and Savoy: Mia Wasikowska does her own version of Wild in Tracks.

Savoy only: An amateur opera singer has One Chance to find fame on a reality show.

Everywhere else: A kid named Alexander has a Terrible, Horrible, No Good, Very Bad Day. Robert Downey Jr. plays one of those type-A urban professionals who has to go back to his hometown and Learn Lessons in The Judge. Dracula Untold is the origin story I know I wasn't asking for.

This Week in Your Living Room
The Grand Seduction, Million Dollar Arm, A Million Ways to Die in the West, Obvious Child.



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Alexander and the Terrible, Horrible, No Good, Very Bad Day
Rated PG · 80 min. · 2014
Official Site: movies.disney.com/alexander-and-the-terrible-horrible-no-good-very-bad-da
Director: Miguel Arteta
Writer: Rob Lieber
Producer: Shawn Levy, Lisa Henson and Dan Levine
Cast: Steve Carell, Jennifer Garner, Dylan Minnette, Kerris Dorsey, Ed Oxenbould, Megan Mullally, Jennifer Coolidge and Bella Thorne
The Judge
Rated R · 141 min. · 2014
Official Site: thejudgemovie.com
Director: David Dobkin
Writer: Bill Dubuque
Cast: Vera Farmiga, Robert Downey Jr., Leighton Meester, Ian Nelson, Vincent D'Onofrio, Dax Shepard, Robert Duvall, Billy Bob Thornton and David Krumholtz
One Chance
Rated PG-13 · 103 min. · 2014
Director: David Frankel
Writer: Justin Zackham
Producer: Simon Cowell, Michael Menchel, Kris Thykier, Harvey Weinstein and Brad Weston
Cast: Julie Walters, Colm Meaney, Mackenzie Crook, James Corden, Alexandra Roach, Jemima Rooper, Kathryn Drysdale, Chris Cowlin, Alessandro De Marco and Asli Bayram
Dracula Untold
Rated PG-13 · 92 min. · 2014
Official Site: www.draculauntold.com
Director: Gary Shore
Writer: Bram Stoker, Matt Sazama and Burk Sharpless
Producer: Michael De Luca
Cast: Luke Evans, Sarah Gadon, Diarmaid Murtagh and Dominic Cooper
The Sacrament
Rated R · 95 min. · 2014
Official Site: www.thesacramentmovie.com
Director: Ti West
Writer: Ti West
Producer: Eli Roth, Christopher Woodrow and Maria Cestone
Cast: Joe Swanberg, Amy Seimetz, AJ Bowen, Kate Lyn Sheil, Gene Jones and Kentucker Audley
Kill the Messenger
Rated R · 112 min. · 2014
Official Site: www.focusfeatures.com/kill_the_messenger
Director: Michael Cuesta
Writer: Peter Landesman, Nick Schou and Gary Webb
Producer: Pamela Abdy, Naomi Despres, Jeremy Renner and Scott Stuber
Cast: Jeremy Renner, Rosemarie DeWitt, Ray Liotta, Tim Blake Nelson, Barry Pepper, Oliver Platt, Michael Sheen, Paz Vega, Michael Kenneth Williams and Mary Elizabeth Winstead
Tracks
Rated PG-13 · 110 min. · 2014
Director: John Curran
Writer: Marion Nelson
Cast: Mia Wasikowska, Adam Driver, Emma Booth, Rainer Bock, Jessica Tovey, Melanie Zanetti, Robert Coleby and Tim Rogers

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Sorry there are no upcoming showtimes for Alexander and the Terrible, Horrible, No Good, Very Bad Day, Dracula Untold, Kill the Messenger, One Chance, The Judge, The Sacrament, or Tracks

About The Author

Margot Harrison

Margot Harrison

Bio:
Margot Harrison is the Associate Editor at Seven Days; she coordinates literary and film coverage. In 2005, she won the John D. Donoghue award for arts criticism from the Vermont Press Association.

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