Playtime: Chance McNiff, 'thoughts count' | Live Culture
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Friday, January 13, 2017

Playtime: Chance McNiff, 'thoughts count'

Posted By on Fri, Jan 13, 2017 at 6:30 AM

click to enlarge 'thoughts count', Chance McNiff - ELIZABETH JEWETT
  • Elizabeth Jewett
  • 'thoughts count', Chance McNiff

Hey, pals. Remember my first post for the Live Culture blog? I wrote about an obscure musical artifact from 2013 titled Sequoiahedron, by Brattleboro's Chance McNiff. In the post, I predicted that McNiff had some new sounds in his reserve and expressed the hope that 2017 would see them presented to the public. To my delight, just one week into the new year, McNiff sent me a Bandcamp link to a new collection of modular synth compositions. The collection, titled thoughts count, is a hypnotic exploration of  vaguely psycho-tropical ambience and rhythm with minimalist execution.

thoughts count opens with "lovely lizard." This track instantly reminded me of the soundtrack to a documentary I once saw about Marcahuasi, a plateau in Peru that is said to be a site of ancient worship. The plateau is scattered with curious rock formations resembling human faces and animals. Much like these formations, "lovely lizard" possesses the ability to challenge the listener's perspective. Recognizable pan flute samples and bass drum pulses morph into a trance-inducing experience that feels extraterrestrial.

The next track, "atlas'," rolls in with deep and thunderous tones. A coy and fairy-like synth voice bends pitch in and out in a conversational melody. Continuing this subtle theme of tonal communication, "one language" features filter-softened tribal rhythms and otherworldly arpeggios that dance through the drift of ambient fog.

These pieces are dense with unspoken ancient riddles. The psychedelic swirl of "the sacred loc-nar" is a reference to the 1981 animated film Heavy Metal, in which the Loc-Nar is portrayed as the physical manifestation of  "the sum of all evils" in the form of an orb. When gazed into, the orb depicts its influence on societies throughout time and space. The ominous trudge of the piece feels like turning that mysterious underground wheel in the television series "Lost."

The title track unfurls as a calm conclusion to the collection. Warm synths swirl and ripple like water in the inter-dimensional pools that connect infinite realities as described in The Magician's Nephew by C.S. Lewis. The listener is left with a feeling of composure and peace, but also a lingering sense of existential crisis.
Download or stream thoughts count via Bandcamp.




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About The Author

Amelia Devoid

Amelia Devoid

Bio:
Contributor Amelia Devoid writes about music for Seven Days. She is also a performing artist and producer. Her work can be found at her website.

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