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Craft
Thursday, January 31, 2019
Craft Death Doula Introduces Mourning Bracelets
Posted By Kymelya Sari on Thu, Jan 31, 2019 at 12:12 PM
As a death doula and a funeral celebrant, Anne-Marie Keppel doesn’t shy away from talking about death. But for most of us, death is a difficult subject to broach. That's often especially true for those who have recently lost loved ones.
Long gone are the days when people would wear mourning clothes, so it isn't always obvious when someone has suffered a loss. “There’s no signal to each other that [we] are in pain,” Keppel noted. "I think it's a societal change that we need to have."
Last week, the 41-year-old Craftsbury Common resident introduced the mourning bracelet. It’s a visual cue to others that the wearer needs space, understanding and solidarity.
Long gone are the days when people would wear mourning clothes, so it isn't always obvious when someone has suffered a loss. “There’s no signal to each other that [we] are in pain,” Keppel noted. "I think it's a societal change that we need to have."
Last week, the 41-year-old Craftsbury Common resident introduced the mourning bracelet. It’s a visual cue to others that the wearer needs space, understanding and solidarity.
Tuesday, July 17, 2018
Craft / Dance / Music Vermont Arts Council Exhibit Spotlights New American Artists
Posted By Kymelya Sari on Tue, Jul 17, 2018 at 12:24 PM
The Vermont Arts Council is on a mission to broaden the definition of who a Vermont artist is, said director Karen Mittelman. "There are new groups of Americans who are enriching [the] landscape in ways that most people don't see and recognize," she said.
Mittelman is hopeful that the arts agency's latest photo exhibit will introduce residents and visitors to the state's diverse cultural landscape.
With help from the Vermont Folklife Center, the VAC has assembled a collection of photographs for its Spotlight Gallery that feature the music, dance and fiber traditions of local Bhutanese, Bosnian, Burundian, Karen, Somali and Tibetan communities.
Mittelman is hopeful that the arts agency's latest photo exhibit will introduce residents and visitors to the state's diverse cultural landscape.
With help from the Vermont Folklife Center, the VAC has assembled a collection of photographs for its Spotlight Gallery that feature the music, dance and fiber traditions of local Bhutanese, Bosnian, Burundian, Karen, Somali and Tibetan communities.
Monday, May 14, 2018
Art / Craft A New Ceramics Studio Takes Shape in Burlington's South End
Posted By Sadie Williams on Mon, May 14, 2018 at 5:41 PM
It’s said that, if you can’t find what you’re looking for, you should make it yourself. Ceramicist Brielle Rovito seems to have taken that philosophy to heart.
A year ago, Rovito got married and moved to Burlington from Minneapolis, Minn., to be closer to family. Leaving a ceramics-focused shared studio, she was hoping to find something similar in her new home, but didn’t. So she started the Form Collective, which now hosts three ceramicists in a cozy second-floor studio at 180 Flynn Avenue.
On Tuesday, May 22, 5-9 p.m., Rovito will host an open house with her studio mates, Taylar Main and Lindsay Van Leir, who moved in over the winter.
A year ago, Rovito got married and moved to Burlington from Minneapolis, Minn., to be closer to family. Leaving a ceramics-focused shared studio, she was hoping to find something similar in her new home, but didn’t. So she started the Form Collective, which now hosts three ceramicists in a cozy second-floor studio at 180 Flynn Avenue.
On Tuesday, May 22, 5-9 p.m., Rovito will host an open house with her studio mates, Taylar Main and Lindsay Van Leir, who moved in over the winter.
Monday, February 26, 2018
Sports / Craft Abenakis Gather for Traditional Snow Snake Game in West Barnet
Posted By Kymelya Sari on Mon, Feb 26, 2018 at 9:01 AM
Last Saturday, about two dozen people gathered in West Barnet to play the traditional Native American winter game of snow snake. The games also coincided with the official opening of the Nulhegan Abenaki Cultural Center.
"This is an ancient Native game," explained Donald Stevens, chief of the Nulhegan band of the Abenaki nation. "You slide a stick down the track. Whoever goes the farthest wins."
"This is an ancient Native game," explained Donald Stevens, chief of the Nulhegan band of the Abenaki nation. "You slide a stick down the track. Whoever goes the farthest wins."
Thursday, April 13, 2017
Art / Craft Tlingit Weaver Ricky Tagaban Visits Johnson State College
Posted By Rachel Elizabeth Jones on Thu, Apr 13, 2017 at 6:35 PM
"We don’t have a word for art in Tlingit," says Ricky Tagaban, "because
almost everything that we would make would have a crest on it."
The significance of languages — written, spoken and visual — and their intrinsic relationship to multiple identities is a strong thread that runs through the artist's tandem engagements as a contemporary artist, indigenous weaver and drag performer.
The Juneau, Alaska-based artist is in residence this week at Johnson State College, as part of the university's annual Ellsworth Lecture programming. Tagaban delivered his talk, “Weaving Politics and Process: Expressing Northwest Coast Textiles Through a Two-Spirit Life,” on Wednesday, April 12, and will offer a public weaving demonstration on Friday, April 14, 12:30 to 2:30 p.m. at Dewey Hall Commons.
almost everything that we would make would have a crest on it."
The significance of languages — written, spoken and visual — and their intrinsic relationship to multiple identities is a strong thread that runs through the artist's tandem engagements as a contemporary artist, indigenous weaver and drag performer.
The Juneau, Alaska-based artist is in residence this week at Johnson State College, as part of the university's annual Ellsworth Lecture programming. Tagaban delivered his talk, “Weaving Politics and Process: Expressing Northwest Coast Textiles Through a Two-Spirit Life,” on Wednesday, April 12, and will offer a public weaving demonstration on Friday, April 14, 12:30 to 2:30 p.m. at Dewey Hall Commons.
Thursday, February 2, 2017
Craft / Media Vermont PBS and Frog Hollow Spotlight Green Mountain Artisans
Posted By Rachel Elizabeth Jones on Thu, Feb 2, 2017 at 5:35 PM
Last March, Frog Hollow Vermont Craft Gallery partnered with Vermont PBS' "Made Here" program to spotlight some of the state's star craftspeople in The Frog Hollow Green Mountain Artisans. On Tuesday, February 7, at 7 p.m., PBS will re-air this pilot episode, which was directed by local photographer and filmmaker Natalie Stultz.
It features Enosburg Falls bowl turner Alan Stirt, Burlington sculptor Kate Pond, Granville glassblower Michael Egan and Bennington jeweler Ivy Long. Three new half-hour episodes will air each Tuesday for the rest of month.
Friday, July 8, 2016
Art / Craft State Craft Center Announces Artisan Grant
Posted By Rachel Elizabeth Jones on Fri, Jul 8, 2016 at 10:15 AM
Frog Hollow Vermont State Craft Center has announced a newly established Artisan Grant Program in support of the state's makers, both emerging and established. The program will offer four different types of grants, ranging from $200 to $2,000.
Monday, February 15, 2016
Art / Craft For Stacie: Artists Rally to Support the Zipper Lady
Posted By Rachel Elizabeth Jones on Mon, Feb 15, 2016 at 4:17 PM
A lifelong artist, crafter and upcycler, Stacie Mincher of Rutland has earned her reputation as "the Zipper Lady" through her dedication to her quirky zipper jewelry business. On January 11, Mincher suffered a stroke caused by complications of pituitary tumor surgery. She is not expected to return to her craft for at least a year.
But artists and community members are coming together to support Mincher's recovery: Frog Hollow Vermont State Craft Center, which carries her work, will host a benefit event on Saturday, February 20. It will feature a live and silent auction of donated works — more than 50 artists have contributed so far.
Friday, October 3, 2014
Craft / Art Discovery Channel's 'How It's Made' Features Danforth Pewter
Posted By Xian Chiang-Waren on Fri, Oct 3, 2014 at 9:22 AM
Danforth Pewter's iconic oil lamps are produced in batches of one or two dozen during a daylong metalworking process. But that, says owner Fred Danforth, who revived his family's centuries-old pewter business in 1975, is somewhat misleading.
"My flippant answer, when someone asks how long it takes to make one, is 30 years!" jokes Danforth. "Because that's how long it took me to really get down all of the techniques."
Visitors to the Danforth Pewter Workshop & Store on Seymour Street in Middlebury have long been able to see those lamps and other products in various stages of production. Two windows in the company's headquarters offer a peek into the workroom, where craftspeople work during business hours.
Today, October 3, television audiences also have the opportunity to see Danforth's craft in action: A segment of "How It's Made," a popular show on Discovery's Science Channel, is dedicated to the making of a Danforth oil lamp. The episode initially airs at 10:30 p.m. Eastern time, then again at 1:30 a.m. on October 4.
Monday, September 29, 2014
Architecture / Art / Craft / Fashion / Words Material Ecologist Neri Oxman to Give UVM Aiken Lecture
Posted By Ethan de Seife on Mon, Sep 29, 2014 at 11:28 AM
Neri Oxman’s creations look like they’ve emerged from a 1950s science-fiction film. Multicolored, alien crenellations bend into weird but oddly recognizable shapes; weird textures evoke deep-sea creatures or weird insects. They’re extremely difficult to figure out.
But that inscrutable nature is by design. Just as Oxman’s projects look both bizarre and familiar, she resists easy categorization herself. Part artist, part scientist and part designer, Oxman works in a field that’s she’s dubbed “material ecology,” the goal of which is to study how new techniques of design and fabrication can transform the creation of everyday objects and structures. As she put it on her blog, her overall project is to investigate the ways that design intersects with “architecture, enginerring, computation, and ecology.”
Many of Oxman’s most striking designs draw their inspiration from natural materials: internal organs, insect carapaces, seashells. Oxman, a professor at MIT, is at the cutting edge of the 3-D printing revolution, and has used the technology to design and build everything from bike helmets to high-fashion dresses to carpal-tunnel wristguards.
Neri Oxman will visit the University of Vermont this Thursday to deliver the George D. Aiken Lecture, “Material Ecology: A New Approach to Nature-Inspired Design and Engineering.” By email, she answered some questions for Seven Days in advance of her talk.
But that inscrutable nature is by design. Just as Oxman’s projects look both bizarre and familiar, she resists easy categorization herself. Part artist, part scientist and part designer, Oxman works in a field that’s she’s dubbed “material ecology,” the goal of which is to study how new techniques of design and fabrication can transform the creation of everyday objects and structures. As she put it on her blog, her overall project is to investigate the ways that design intersects with “architecture, enginerring, computation, and ecology.”
Many of Oxman’s most striking designs draw their inspiration from natural materials: internal organs, insect carapaces, seashells. Oxman, a professor at MIT, is at the cutting edge of the 3-D printing revolution, and has used the technology to design and build everything from bike helmets to high-fashion dresses to carpal-tunnel wristguards.
Neri Oxman will visit the University of Vermont this Thursday to deliver the George D. Aiken Lecture, “Material Ecology: A New Approach to Nature-Inspired Design and Engineering.” By email, she answered some questions for Seven Days in advance of her talk.
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