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Dance
Friday, August 17, 2018
Dance / Music Cultural Mosaic: Susmita Dhakal Brings Bollywood Vibe to A2VT
Posted By Kymelya Sari on Fri, Aug 17, 2018 at 11:28 AM
While some people treat "diversity" and "inclusivity" as buzzwords, for Susmita Dhakal those terms are guiding principles. Dhakal, a Bollywood dance performer, is a member of the local Afro-pop group, A2VT.
"I've always been the person [who] gets involved in different cultures because I feel that's the way I grow," said the University of Vermont sophomore. A native of Nepal born to Bhutanese refugees, Dhakal is the only A2VT member who's not from the African diaspora. She joined the group about six months ago.
"She brings a bit of Bollywood vibe to [the group]," said A2VT manager David Cooper. "They embraced her."
"I've always been the person [who] gets involved in different cultures because I feel that's the way I grow," said the University of Vermont sophomore. A native of Nepal born to Bhutanese refugees, Dhakal is the only A2VT member who's not from the African diaspora. She joined the group about six months ago.
"She brings a bit of Bollywood vibe to [the group]," said A2VT manager David Cooper. "They embraced her."
Tuesday, July 17, 2018
Craft / Dance / Music Vermont Arts Council Exhibit Spotlights New American Artists
Posted By Kymelya Sari on Tue, Jul 17, 2018 at 12:24 PM
The Vermont Arts Council is on a mission to broaden the definition of who a Vermont artist is, said director Karen Mittelman. "There are new groups of Americans who are enriching [the] landscape in ways that most people don't see and recognize," she said.
Mittelman is hopeful that the arts agency's latest photo exhibit will introduce residents and visitors to the state's diverse cultural landscape.
With help from the Vermont Folklife Center, the VAC has assembled a collection of photographs for its Spotlight Gallery that feature the music, dance and fiber traditions of local Bhutanese, Bosnian, Burundian, Karen, Somali and Tibetan communities.
Mittelman is hopeful that the arts agency's latest photo exhibit will introduce residents and visitors to the state's diverse cultural landscape.
With help from the Vermont Folklife Center, the VAC has assembled a collection of photographs for its Spotlight Gallery that feature the music, dance and fiber traditions of local Bhutanese, Bosnian, Burundian, Karen, Somali and Tibetan communities.
Sunday, June 17, 2018
Dance Dancing the Day Away With Vermont Dance Alliance and Artists Imperative
Posted By Sadie Williams on Sun, Jun 17, 2018 at 4:44 PM
On Saturday, June 16, Burlington was struck by a confluence of dance-related events: "Traces," an all-day, multi-venue, outdoor performance hosted by the Vermont Dance Alliance, and "Lime Peach Mint: High Crimes Misdemeanors, Bountiful Performances" by Artists' Imperative at Maglianero. What follows is a diary of observations from the day.
Thursday, April 12, 2018
Art / Dance Christal Brown Named Director of Visual & Performing Arts at Clemmons Family Farm
Posted By Rachel Elizabeth Jones on Thu, Apr 12, 2018 at 7:00 AM
Fueled by a $350,000 creative placemaking grant received last December, Charlotte's Clemmons Family Farm continues toward its goal of becoming a major African American and African diasporic cultural center in Vermont. In one of several grant-funded positions now officialized, Middlebury dancer and choreographer Christal Brown has been appointed as director of visual and performing arts at the farm.
Monday, January 29, 2018
Dance Cultural Mosaic: Neeru Cvakoti Teaches Nepali Pride Through Dance
Posted By Kymelya Sari on Mon, Jan 29, 2018 at 5:43 PM
When she was growing up in a refugee camp in Nepal, Neeru Cvakoti used to watch her sister dance while their brothers played the accompanying music live. "Tabla, flute — they had a crew," Cvakoti recalled.
Today, such performances are "impossible" in the U.S., said the now Winooski-based dancer. "We have so many bright artists from our Bhutanese community," she explained. "But they live in different states."
That makes finding a backing band difficult. So when she performs, Cvakoti dances to music that she has downloaded on to a pen drive. She does the same when she teaches.
These days, Cvakoti, 24, plays an active role in nurturing a newer generation of Nepali-Bhutanese performers. When she lived in Pennsylvania, Cvakoti opened a dance school. When she relocated to Vermont last year, she wanted to continue following her passion for dance and teaching.
Today, such performances are "impossible" in the U.S., said the now Winooski-based dancer. "We have so many bright artists from our Bhutanese community," she explained. "But they live in different states."
That makes finding a backing band difficult. So when she performs, Cvakoti dances to music that she has downloaded on to a pen drive. She does the same when she teaches.
These days, Cvakoti, 24, plays an active role in nurturing a newer generation of Nepali-Bhutanese performers. When she lived in Pennsylvania, Cvakoti opened a dance school. When she relocated to Vermont last year, she wanted to continue following her passion for dance and teaching.
Thursday, April 27, 2017
Art / Dance 'Breathe' Underwater: An Aquatic Opera at Middlebury College
Posted By Rachel Elizabeth Jones on Thu, Apr 27, 2017 at 3:38 PM
Worlding.org is a website dedicated to speculative definitions of the noun-as-verb "worlding," introduced by philosopher Martin Heidegger in the 1920s. The term is also the name chosen by dancer and choreographer Gabriel Forestieri to describe his practice of outdoor, site-specific movement — on land and under water.
On Saturday, April 29, and Sunday, April 30, the Middlebury College natatorium* will be transformed for two performances of "Breathe," a multi-disciplinary and immersive performance made in collaboration with composer Loren Kiyoshi Dempster and writer/visual artist Adrian Jevicki.
On Saturday, April 29, and Sunday, April 30, the Middlebury College natatorium* will be transformed for two performances of "Breathe," a multi-disciplinary and immersive performance made in collaboration with composer Loren Kiyoshi Dempster and writer/visual artist Adrian Jevicki.
Thursday, May 26, 2016
Dance Eiko Otake Performs 'A Body' at the Moran Plant
Posted By Rachel Elizabeth Jones on Thu, May 26, 2016 at 12:16 PM
Japanese artist Eiko Otake was long known as one half of the husband-and-wife performance team Eiko and Koma. For the past two years, however, Otake, who has lived in New York since 1976, has been going it alone — all over the world. Her ongoing work "A Body in Places" places her dancing body in atypical performance locations, beginning with the irradiated site of the 2011 Fukushima Daiichi nuclear meltdown.
In October 2014, the Pennsylvania Academy of Fine Arts hosted the debut exhibition "A Body in Fukushima," featuring exquisite photos by William Johnston of Otake's pilgrimage . In conjunction with this show, Otake developed "A Body in a Station," a site-specific performance in Philadelphia's 30th Street Amtrak Station.
Since that launch, Otake has danced in locales including Hong Kong, Santiago, New York's Fulton Street Station, a library, an observatory and a farmers market. This week she'll add to that list an abandoned industrial building: Burlington's own Moran Plant — aka the city's former generating station.
In October 2014, the Pennsylvania Academy of Fine Arts hosted the debut exhibition "A Body in Fukushima," featuring exquisite photos by William Johnston of Otake's pilgrimage . In conjunction with this show, Otake developed "A Body in a Station," a site-specific performance in Philadelphia's 30th Street Amtrak Station.
Since that launch, Otake has danced in locales including Hong Kong, Santiago, New York's Fulton Street Station, a library, an observatory and a farmers market. This week she'll add to that list an abandoned industrial building: Burlington's own Moran Plant — aka the city's former generating station.
Tuesday, May 17, 2016
Art / Theater / Dance Vermonters Receive NEA Grants, Spring for Joy
Posted By Rachel Elizabeth Jones on Tue, May 17, 2016 at 2:38 PM
In its spring grant cycle, the National Endowment for the Arts has awarded eight grants totaling $893,000 to six Vermont organizations. The majority of that amount, $718,000, went to the Vermont Arts Council, which in turn provides a variety of grants to individuals and smaller organizations statewide.
The other grantees were the Vermont Folklife Center, the Dorset Theatre Festival, the Flynn Center for the Performing Arts, Kingdom County Productions, the Vermont Folklife Center and Weston Playhouse Theatre Company.
Congrats, everybody! The full NEA document here.
The other grantees were the Vermont Folklife Center, the Dorset Theatre Festival, the Flynn Center for the Performing Arts, Kingdom County Productions, the Vermont Folklife Center and Weston Playhouse Theatre Company.
Congrats, everybody! The full NEA document here.
Thursday, December 17, 2015
Art / Dance / Theater / Words Six Vermont Organizations Receive NEA Grants
Posted By Rachel Elizabeth Jones on Thu, Dec 17, 2015 at 11:10 AM
In the latest round of arts funding announced last week by the National Endowment for the Arts (NEA), six Vermont arts organizations were awarded a total of $110,000. Of these groups, four are music, dance or theater related, one is literary and one is both writing and visual arts related (Vermont Studio Center).
Tuesday, November 17, 2015
Dance Liz Lerman on Movement and Finding Artistic Voice
Posted By Sadie Williams on Tue, Nov 17, 2015 at 5:06 PM
Liz Lerman is a mover and a shaker. To those who know the choreographer’s work, that statement might seem reductive at best, but it’s fitting on more than the obvious level. Lerman, who received a MacArthur “genius” grant in 2002, isn’t just interested in physical movement, but in the movement of ideas across disciplinary boundaries. She’s at Middlebury College through Wednesday this week conducting a short residency focusing on just that. Her stay culminates in a lecture tomorrow, November 18, at the Mahaney Center for the Arts Dance Theatre.
Lerman, who is known for working with intergenerational groups of movers, has an open approach to education. In other words, she doesn't believe in forcing her ideas about art upon anyone. “I have a lot of ideas about ways of being in the world, but I feel a lot of those are things [students] have to discover for themselves,” Lerman said in a phone interview. “Sometimes I feel like an old-fashioned trader: I’m trading goods for ideas, delivering information from other parts of the country.”
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