Nuda Veritas, Songs for Doing Dishes/Still Lives | Album Review | Seven Days | Vermont's Independent Voice

Seven Days needs your financial support!

Nuda Veritas, Songs for Doing Dishes/Still Lives 

Album Review

music-cdnudaveritas.jpg

(Aether Everywhere, CD/Digital download)

“Please don’t let the fact I’m on the Aether Everywhere label plant the evil seed of ‘experimental’ music in your mind. It’s really quite listener friendly.” So reads the email sent by local experi . . . um, electro-acoustic songwriter Rebecca Kopycinski, a.k.a. Nuda Veritas, regarding her debut double album, Songs for Doing Dishes/Still Lives. The two-disc epic presents a tenuous blend of folk sensibility and electronic dalliance, tempered by solid and, in several cases, powerful writing and some truly stunning arrangements, both vocal and instrumental. In a way, it could be regarded as the local “other music” label’s first crossover release. And yes, it is indeed “listener friendly.” Although that may depend on just who is listening.

Dishes should appeal to a wide swath of fans across both the folk and experimental spectrums. If genre tags are your thing, I suppose it would fit, though not exactly neatly, into that nebulous gray area known as indie-folk. Or better still, chamber-folk. But if you’re looking for neat and tidy, you’ve come to the wrong place. Because the good stuff in life usually requires you to get a little dirty, right?

From the opening salvo, “Captain,” it’s clear we’re in for an unpredictable journey. Backed only by a chorus of voices — all hers — and a sprightly bassoon, Kopycinski’s lead pirouettes around the tune’s shanty-ish lyrics like some siren combination of Joni Mitchell, Leslie Feist and Ishmael.

“Drive” follows with a more conventional, soothing guitar-voice folk sound. While it’s a seamlessly pretty number, it almost feels as if Kopycinski is buttering us up for the following tune, “Conflict of the Flesh.”

Very simply put, the allure of “experimental” music stems largely from its purveyors’ appreciation of and willingness to play around with the building blocks of music: sounds. On “Conflict,” Kopycinksi takes the practice a step further, applying it to her poetry as she contorts her considerable vocal prowess to render her words into near-imperceptible syllables, the emotive qualities of her voice delivering their meaning.

Listeners, friendly or otherwise, would do well to keep that playfulness in mind when approaching the second volume, Still Lives. The disc is an approximate meld of Aether Everywhere’s stated bailiwicks: “drone, ambient, sound collage, heavy psych, noise and all the points where they intersect.” Or to put it in layperson’s terms: far out, man. Put yet another way, the album is the musical manifestation of its handmade cover art. Each copy’s jacket was sewn together from pieces of recycled LP covers — mine: Robert Plant’s Shaken & Stirred. Not for the faint of ears, Kopycinski’s sonic abstractions — vocal and otherwise — challenge the listener to pay attention. But those who do will be rewarded with a glimpse into the stirring creative soul of a visionary local artist.

Fittingly, Nuda Veritas celebrates the release of her albums with two shows this week: Friday at The Monkey House and Sunday at Radio Bean.

Got something to say? Send a letter to the editor and we'll publish your feedback in print!

About The Author

Dan Bolles

Dan Bolles

Bio:
Dan Bolles is Seven Days' assistant arts editor and also edits What's Good, the annual city guide to Burlington. He has received numerous state, regional and national awards for his coverage of the arts, music, sports and culture. He loves dogs, dark beer and the Boston Red Sox... more

Comments


Comments are closed.

Since 2014, Seven Days has allowed readers to comment on all stories posted on our website. While we’ve appreciated the suggestions and insights, the time has come to shut them down — at least temporarily.

While we champion free speech, facts are a matter of life and death during the coronavirus pandemic, and right now Seven Days is prioritizing the production of responsible journalism over moderating online debates between readers.

To criticize, correct or praise our reporting, please send us a letter to the editor. Or send us a tip. We’ll check it out and report the results.

Online comments may return when we have better tech tools for managing them. Thanks for reading.

Latest in Album Review

Keep up with us Seven Days a week!

Sign up for our fun and informative
newsletters:

All content © 2020 Da Capo Publishing, Inc. 255 So. Champlain St. Ste. 5, Burlington, VT 05401  |  Contact Us
Website powered by Foundation