Teresa Celemin's Art Hop Winner Reacts to the Loss of Abortion Rights | Visual Art | Seven Days | Vermont's Independent Voice

Seven Days needs your financial support!

Teresa Celemin's Art Hop Winner Reacts to the Loss of Abortion Rights 

Published September 14, 2022 at 10:00 a.m. | Updated September 14, 2022 at 10:23 a.m.

click to enlarge "Billy Bounty Hunter's Trophy Wall: Abortion Heads of Texas" by Teresa Celemin - PAMELA POLSTON
  • Pamela Polston
  • "Billy Bounty Hunter's Trophy Wall: Abortion Heads of Texas" by Teresa Celemin

The women's faces are distorted, eyes askew, makeup smeared. Most have long, limp hair. Their heads are affixed to glittery green boards and assembled together for "Billy Bounty Hunter's Trophy Wall: Abortion Heads of Texas." This is the first-place winner in the South End Art Hop's juried show. The 30th annual Burlington festival took place over the weekend, but the exhibition, in the Vaults building on Howard Street, is on view until December 10.

Event Details Art Hop Juried Show
@ The Vaults
28 Howard St.
Burlington, VT
When: Through Dec. 10

Teresa Celemin's mixed-media installation, 75 by 46 inches, might seem merely quirky at first glance: quickly sketched (if laboriously produced) heads made of papier-mâché, wigs and colorful paint. But if the idea of women's heads mounted on plaques sounds grisly, wait until you read the backstory: A Celemin-penned faux newspaper article — datelined 2037 — accompanying the artwork begins: "Texas Right to Life, an anti-abortion advocacy organization, unveiled its first human trophy wall on Wednesday..."

It's no surprise to learn that Celemin took her cue from the U.S. Supreme Court's dismantling of abortion rights — as well as reports of "bounties" for those who report on suspected abortions taking place in Texas. She just leapt to a dystopian extreme.

"I was distraught after Roe fell," Celemin said in a phone interview. "I was like, Fuck it, man. I was so angry. I need to funnel this anger into a creative voice, to use my art as a voice, as a weapon, because this is war."

The Hinesburg artist did not hold back. "I have this dark sense of humor anyway," she said. "I was thinking, What's going to happen? And I came up with this — obviously influenced by The Handmaid's Tale."

"This" was the idea of said bounty hunters not just snitching on but exterminating women who dared to take control of their own health care — and gleefully displaying their taxidermy heads.

Celemin went for something else in this piece: artistic abandon. Describing herself as a kid who "didn't fit in" at school, she was formally trained at the Parsons School of Design and New York Academy of Art. She learned to draw and paint realistically and believed she had to prove herself in a male-dominated art world. But during a recent residency at Vermont Studio Center, Celemin said, she reclaimed her inner wild child.

Before making the trophy heads, she said she thought back to first grade and making papier-mâché. She laughingly described the challenge of working with the medium: "It's wet paper over a balloon!" But Celemin relished the newfound lack of control. "Next I want to do something about Ethel Rosenberg," she declared. "And I have all these other ideas to do with heads."

Here's a funny fact: David Griffin, the juror for the Art Hop show, had no inkling of the story behind Celemin's construction when he chose it for first place. He initially looked at the artworks on slides, he explained, without titles or artist's names. Or fake newspaper articles.

"I was mostly taken with the colors, the materials," Griffin said in a phone call. "I thought I was looking at something about gender identity, gender fluidity. But I was glad it brought attention to the Texas bounty hunters and the abortion issue.

"I'm not surprised to learn that [Celemin] is trained," he added, "because the impact is sophisticated."

Griffin, a longtime graphic designer in Burlington, was on the board of the organization that later became the South End Arts + Business Association and was an early organizer of events that would gel into the Art Hop. "I don't want to take credit away from Melanie [Brotz], who did the first one," he said.

After living in Florida for a number of years, Griffin returned to Vermont this year. This is his first time as juror of an exhibition that he helped to launch so long ago. "I've been having an incredible summer, so this just fell into place," he said.

Got something to say? Send a letter to the editor and we'll publish your feedback in print!

About The Author

Pamela Polston

Pamela Polston

Pamela Polston is a cofounder and the Art Editor of Seven Days. In 2015, she was inducted into the New England Newspaper Hall of Fame.


Comments are closed.

Since 2014, Seven Days has allowed readers to comment on all stories posted on our website. While we’ve appreciated the suggestions and insights, the time has come to shut them down — at least temporarily.

While we champion free speech, facts are a matter of life and death during the coronavirus pandemic, and right now Seven Days is prioritizing the production of responsible journalism over moderating online debates between readers.

To criticize, correct or praise our reporting, please send us a letter to the editor. Or send us a tip. We’ll check it out and report the results.

Online comments may return when we have better tech tools for managing them. Thanks for reading.

Keep up with us Seven Days a week!

Sign up for our fun and informative

All content © 2022 Da Capo Publishing, Inc. 255 So. Champlain St. Ste. 5, Burlington, VT 05401

Advertising Policy  |  Privacy Policy  |  Contact Us  |  About Us  |  Help
Website powered by Foundation