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The recipe for the Bake Off is as follows: Take one play, slice it into three sections, and then add three directors and three casts. The result is an engaging exploration of how different artists can interpret a work of theater. This year, the Vermont Stage production spotlights Private Lives, a 1930 knee-slapper by Noël Coward. Set in Paris, this comedy of manners centers on a divorced couple who find themselves staying in adjacent rooms while honeymooning with their new partners. A Q&A with directors Chris Caswell, Larry Connolly and Abbie Tykocki follows each performance.
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