Twin Peaks | Art Review | Seven Days | Vermont's Independent Voice

Seven Days needs your financial support!

Twin Peaks 

Art Review: “Art Now: Doug and Mike Starn,” Middlebury College Museum of Art. Through April 16.

Published February 4, 2009 at 6:01 a.m.

“Structure  of Thought”  by Doug and Mike Starn
  • “Structure of Thought” by Doug and Mike Starn

Brooklyn-based Doug and Mike Starn are identical twins who’ve been making art together since childhood — and are now making it big in the art world. Where one brother’s handiwork stops and the other’s begins isn’t known; they simply share credit for all their creations. Their current exhibit at the Middlebury College Museum of Art, titled “Art Now: Doug and Mike Starn,” is made up of six installations that are both physically and conceptually multilayered. Among the references are snowflakes, black tree branches and mouse synapses.

The exhibit actually presents samples from two separate bodies of work. “Alleverythingthatisyou” is a series of snowflakes, parts of which have been exhibited internationally. The “Structure of Thought” installations echo a 250-foot-long commission for New York’s South Ferry subway terminus that is supposed to be completed this winter.

The “Alleverythingthatisyou” installation at Middlebury is a 24-piece grid of 16-by-16-inch enlarged ink-jet prints of snowflakes, mounted on Plexiglas. The Starns brought it to Vermont in homage to the legendary Jericho photographer Wilson A. “Snowflake” Bentley (1865-1931). Bentley was the first person in history to photograph a single snowflake, and his work is both scientifically notable and beautiful. Like his photos, the Starns’ snowflakes show both the uniqueness of each crystalline structure and their geometric similarities.

The singular 64-by-50-inch snowflake in “Sno 8 215 (blanket)” isn’t labeled as part of the “Alleverythingthatisyou” series, but shares its concept. Its narrative however, is unique. A posted curatorial statement points out that the title obliquely refers to a Japanese folktale with a melancholy ending — in the story, a blanket of snow peacefully and terminally enshrouds two sleeping orphans.

Tree-branch silhouettes in the “Structure of Thought” series have been described by the artists as “symbols of thought itself.” “Structure of Thought 11” is a monumental 6-by-8-foot photograph of tangled branches, which visually evoke the cerebellum’s Arbor vitae veins and capillaries.

But there’s more beneath the surface image. Wax, encaustic varnish and paint, along with a hidden structure of gridded rectangles, can be glimpsed under the outer layer of paper. “The structure of thought,” write the artists, “is a living dendritic mess, a mass of intersections and layers.” They impose order on that “mess” by breaking it into the 12-by-28-inch obscured rectangles. Two vertical axes of very fine lines also run down the image, turning it into a subtle triptych.

“Structure of Thought 16” approaches the thinking organ more directly. The 18-foot-by-28-inch composite photograph diagrams activity generated by synapses in a mouse brain. It resembles a jagged black skyline — upside down. As in the rest of the series, a matrix of orderly rectangles resides just beneath the surface layers. These are subtle, like the watermarks embedded in a $10 bill.

One might not expect the Starns’ images to appeal to Vermonters in midwinter; we’ve already had our fill of snowflakes and denuded trees. But the intricacies of the Middlebury show are intriguing. And the more time you spend with the installations, the more connections your own weather-weary synapses are likely to make.

Got something to say? Send a letter to the editor and we'll publish your feedback in print!

More By This Author

  • Ground Crew
  • Ground Crew

    Art Review: Wendy James, Lynn Rupe and Carolyn Hack, Burlington International Airport
    • Dec 14, 2011
  • Net Gain
  • Net Gain

    Art Review: Barbara Wagner, Green Mountain Fine Art Gallery
    • Dec 7, 2011
  • Branching Out
  • Branching Out

    Art Review: “Trees,” Bryan Memorial Gallery
    • Nov 23, 2011
  • More »

About The Author

Marc Awodey

Marc Awodey

Painter, poet, writer, musician, guerilla publisher and numismatist Marc Awodey, 1960-2012, was the Seven Days arts critic for more than a decade before his death at age 51. We all miss him.


Comments are closed.

Since 2014, Seven Days has allowed readers to comment on all stories posted on our website. While we’ve appreciated the suggestions and insights, the time has come to shut them down — at least temporarily.

While we champion free speech, facts are a matter of life and death during the coronavirus pandemic, and right now Seven Days is prioritizing the production of responsible journalism over moderating online debates between readers.

To criticize, correct or praise our reporting, please send us a letter to the editor. Or send us a tip. We’ll check it out and report the results.

Online comments may return when we have better tech tools for managing them. Thanks for reading.

Keep up with us Seven Days a week!

Sign up for our fun and informative

All content © 2022 Da Capo Publishing, Inc. 255 So. Champlain St. Ste. 5, Burlington, VT 05401

Advertising Policy  |  Privacy Policy  |  Contact Us  |  About Us  |  Help
Website powered by Foundation