The Riders, 200 Miles From Everywhere | Seven Days Vermont

Please support our work!

 Donate  Advertise

The Riders, 200 Miles From Everywhere 

Album Review

Published March 12, 2008 at 10:25 a.m.

cdreview-riders.jpg

(Self-released, CD)

Music criticism is funny in that it requires the reviewer to shelve his or her personal tastes in favor of maintaining that most elusive and important of critical qualities: objectivity. It’s not enough to merely say that you love or hate an album. You have to set aside your personal biases and judge each individual work on its own merits. So it is that 200 Miles from Everywhere . . . the latest album from San Diego’s The Riders, recently found its way into my CD player.

First things first, 200 Miles might just send the hipster set running for their pitchforks — although, honestly, what doesn’t? But elitist snobbery aside, this is a topnotch American-rock record. And while it rarely redefines genre boundaries, it ably traverses the hardscrabble Americana highways of the heartland with sincerity and authenticity.

From the laid-back opening strains of “Someday Soon” and the classic-rock-fueled “Coalinga,” to the lighter-worthy balladry of “Too Far Away Tonight” and album closer “Take Away,” echoes of Memphis-walkin’ Marc Cohn, pre-Chevy-commercial John Mellencamp, early Eagles and even Whitesnake — think “Here I Go Again” — abound.

Front man Tom Cuismano claims three generations of Burlington roots, but the sunny climes of Southern California suit him well. After all, SoCal was the “birthplace” of country-rock. The guitarist unabashedly stands on the shoulders of giants, lyrically and melodically. And why not? The Eagles stood on the shoulders of The Band, The Byrds and Flying Burrito Brothers — and then sold about a bazillion more records than all of those groups combined. “The Cougar” stood on the shoulders of Springsteen, who stood on the shoulders of Van Morrison. But we could do the “begat” thing all day.

The bottom line is that the dude is good at what he does. And what he does is write pitch-perfect acoustic rock songs with a clear reverence for the roads his forbears traveled. The Riders don’t push the envelope by any stretch, but that’s pretty much the heartland in a nutshell, isn’t it?

candles in the shape of a 29

Light Our Candles?

Seven Days just turned 29. Help us celebrate and make it to 30!

Donate today and become a Super Reader. We’re counting on generous people like you for 129 gifts by September 27.

New: Become a monthly donor or increase your existing recurring donation today and we’ll send you a framable print of our once-in-a-lifetime eclipse cover photographed by James Buck.

Got something to say? Send a letter to the editor and we'll publish your feedback in print!

About The Author

Dan Bolles

Dan Bolles

Bio:
Dan Bolles is the culture coeditor at Seven Days'. He has received numerous state, regional and national awards for his coverage of the arts, music, sports and culture. He loves dogs, dark beer and the Boston Red Sox.

Comments


Comments are closed.

From 2014-2020, Seven Days allowed readers to comment on all stories posted on our website. While we've appreciated the suggestions and insights, right now Seven Days is prioritizing our core mission — producing high-quality, responsible local journalism — over moderating online debates between readers.

To criticize, correct or praise our reporting, please send us a letter to the editor or send us a tip. We’ll check it out and report the results.

Online comments may return when we have better tech tools for managing them. Thanks for reading.

Latest in Album Review

Keep up with us Seven Days a week!

Sign up for our fun and informative
newsletters:

All content © 2024 Da Capo Publishing, Inc. 255 So. Champlain St. Ste. 5, Burlington, VT 05401

Advertising Policy  |  Privacy Policy  |  Contact Us  |  About Us  |  Help
Website powered by Foundation