On Screen
Movie+TV Reviews
‘The Devil Wears Prada 2’ Feels Like a Poorly Fitting Dress Made From a Smart Pattern
The legacy sequel mixes frothy escapism with sobering meditations on the current media landscape, but the characters don’t gel.
Now Playing in Theaters, May 6-13
In addition to ‘Billie Eilish: Hit Me Hard and Soft’ here’s what is playing in Northern and Central Vermont movie theaters this week. Listings include new movies, vintage films and a directory of open theaters.
Celebrity Is a Phantom in the Oddly Hypnotic ‘Mother Mary’
David Lowery directed the surreal drama in which Anne Hathaway plays a pop icon who seeks help from a collaborator she thought she’d left in the past.
Ian McKellen Tears Up the Screen (and Canvases) as a Narcissistic Art Legend in ‘The Christophers’
Steven Soderbergh’s latest is an engrossing two-hander drama about a failed artist hired to forge the work of the washed-up idol who once inspired her.
Gripping Oscar Nominee ‘The Alabama Solution’ Takes Viewers Inside Prison Walls
Andrew Jarecki and Charlotte Kaufman directed the documentary, which incorporates footage shot by incarcerated men in the wake of an alleged murder.
‘The Drama’ Deconstructs the Rom-Com With Middling Success
Rather than a drama, Kristoffer Borgli’s tale of wedding jitters, starring Robert Pattinson and Zendaya, is a dark comedy built on an intriguing hypothetical.
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‘Project Hail Mary’ Explores the Sweet Side of Science Fiction
The adaptation of Andy Weir’s best-selling novel succeeds by making us care about its hero, a sartorially challenged teacher on a space mission.
Family Values Don’t Stand a Chance in ‘Anniversary’ and ‘Ready or Not 2: Here I Come’
A timely dystopian drama and a horror comedy sequel both cast the rituals of privileged clans in new and sinister lights.
Three Local Short Films Explore Vermont’s Food Scene
Migrant farmworkers find community in “La Liga,” a filmmaker peeks inside the “Sugarhouse,” and White River Junction loves its “Meze on Main Street.”
Maggie Gyllenhaal’s ‘The Bride!’ Offers a Chaotic New Twist on the Frankenstein Mythos
Jessie Buckley plays both undead Mary Shelley and the gun moll her spirit possesses in a riot grrl take on the 1935 Bride of Frankenstein.
A Walk on the Wild Side Turns Surprisingly Sweet and Touching in ‘Pillion’
An awkward young man follows a handsome biker into a BDSM subculture in director Harry Lighton’s award-winning debut.
George Clooney Ponders If Stardom Was Worth the Cost in the Overstuffed ‘Jay Kelly’
Noah Baumbach’s drama about Hollywood regrets has a large cast, glossy cinematography and a screenplay that spells out its themes.
Emerald Fennell’s ‘Wuthering Heights’ Is All Glam, No Grit
While the reworking of Emily Brontë’s classic is a feast for the eyes, it strips out most of the novel’s substance in favor of florid romantic imagery.
‘If I Had Legs I’d Kick You’ Takes a Gripping Trip to the Dark Side of Motherhood
Rose Byrne received an Oscar nomination for her uncompromising performance as a woman flailing under the weight of mothering a sick child.
Life’s Definitely Not a Beach in Amusingly Twisted Survival Horror Comedy ‘Send Help’
Director Sam Raimi takes a crack at the hoary trope of desert-island role reversal, putting female rage and anti-corporate satire in the mix.
Empathy Is Courage in Historical Dramas ‘The Testament of Ann Lee’ and ‘All That’s Left of You’
Unconventional period pieces profile an 18th-century American religious leader and a 20th-century Palestinian family, respectively.
‘My Undesirable Friends: Part 1 — Last Air in Moscow’ Is an All-Too-Timely Documentary About the Death of a Free Press
Julia Loktev shot her stunningly intimate portrait of Russia’s embattled independent media scene on the eve of the invasion of Ukraine.
Men Battle With Fate — and Trees — in ‘Train Dreams’ and ‘No Other Choice’
Clint Bentley’s streaming drama and Park Chan-wook’s timely satire — screening in Burlington this weekend — are award nominees not to be missed.
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