On Screen
Movie+TV Reviews
‘Project Hail Mary’ Explores the Sweet Side of Science Fiction
The adaptation of Andy Weir’s best-selling novel succeeds by making us care about its hero, a sartorially challenged teacher on a space mission.
Now Playing in Theaters, April 1-8
In addition to The Drama, here’s what is playing in Northern and Central Vermont movie theaters this week. Listings include new movies, vintage films and a directory of open theaters.
Family Values Don’t Stand a Chance in ‘Anniversary’ and ‘Ready or Not 2: Here I Come’
A timely dystopian drama and a horror comedy sequel both cast the rituals of privileged clans in new and sinister lights.
Three Local Short Films Explore Vermont’s Food Scene
Migrant farmworkers find community in “La Liga,” a filmmaker peeks inside the “Sugarhouse,” and White River Junction loves its “Meze on Main Street.”
Maggie Gyllenhaal’s ‘The Bride!’ Offers a Chaotic New Twist on the Frankenstein Mythos
Jessie Buckley plays both undead Mary Shelley and the gun moll her spirit possesses in a riot grrl take on the 1935 Bride of Frankenstein.
A Walk on the Wild Side Turns Surprisingly Sweet and Touching in ‘Pillion’
An awkward young man follows a handsome biker into a BDSM subculture in director Harry Lighton’s award-winning debut.
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George Clooney Ponders If Stardom Was Worth the Cost in the Overstuffed ‘Jay Kelly’
Noah Baumbach’s drama about Hollywood regrets has a large cast, glossy cinematography and a screenplay that spells out its themes.
Emerald Fennell’s ‘Wuthering Heights’ Is All Glam, No Grit
While the reworking of Emily Brontë’s classic is a feast for the eyes, it strips out most of the novel’s substance in favor of florid romantic imagery.
‘If I Had Legs I’d Kick You’ Takes a Gripping Trip to the Dark Side of Motherhood
Rose Byrne received an Oscar nomination for her uncompromising performance as a woman flailing under the weight of mothering a sick child.
Life’s Definitely Not a Beach in Amusingly Twisted Survival Horror Comedy ‘Send Help’
Director Sam Raimi takes a crack at the hoary trope of desert-island role reversal, putting female rage and anti-corporate satire in the mix.
Empathy Is Courage in Historical Dramas ‘The Testament of Ann Lee’ and ‘All That’s Left of You’
Unconventional period pieces profile an 18th-century American religious leader and a 20th-century Palestinian family, respectively.
‘My Undesirable Friends: Part 1 — Last Air in Moscow’ Is an All-Too-Timely Documentary About the Death of a Free Press
Julia Loktev shot her stunningly intimate portrait of Russia’s embattled independent media scene on the eve of the invasion of Ukraine.
Men Battle With Fate — and Trees — in ‘Train Dreams’ and ‘No Other Choice’
Clint Bentley’s streaming drama and Park Chan-wook’s timely satire — screening in Burlington this weekend — are award nominees not to be missed.
‘Marty Supreme’ Is a Hectic Underdog Saga With Satirical Bite
Timothée Chalamet is winning awards for his performance as a midcentury New Yorker who will beg, borrow and steal to become a table-tennis champion.
The Year in Film: Theaters, Streaming and the Rise of FOMO Viewing
Seeing original movies in theaters keeps getting harder, but Vermont’s festivals and art houses expand the options. Here are some of our favorite 2025 films
‘Wake Up Dead Man: A Knives Out Mystery’ Is a Holiday Romp With Something to Say
The third comic whodunit from writer-director Rian Johnson might be the best one yet, with a star-making performance from Josh O’Connor as a lovable priest.
‘Hamnet’ Is the Rare Tearjerker That Trusts and Elevates Its Audience
Six Golden Globe nominations went to Chloé Zhao’s adaptation of Maggie O’Farrell’s novel that imagines a link between ‘Hamlet’ and personal tragedy.
Home Is Where the Art Is in Joachim Trier’s Powerful ‘Sentimental Value’
The director’s new drama about two sisters and their filmmaker dad grappling with their family legacy won the Grand Prix at the Cannes Film Festival.
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