This just in from our old pals/arch-nemeses the Fatal Flaws. The deliciously curmudgeon-y local garage-rawkers recently collaborated on a track with a new(ish) Montreal outfit called the Broken Jugs for a compilation CD produced by Vancouver-based Mongrel zine. The title of the comp, which focuses on (really) underground Montréal bands is — and this is my second favorite part — Mongréal Zine. Nice. I love a good pun, almost as much as I love a bad one.
The track — this would be my first favorite part, for anyone keeping score — is entitled “She’s a Big Girl” and represents something of a departure from the grainy, lo-fi misanthropy we have come to know and love (and hate?) from the Flaws. As drummer Sasha Rodriguez puts it in a recent email, “It’s very different from the Fatal Flaws’ sound — much more of a sixties sound, and much more produced.”
And how.
I would go a step further and submit that this might be the sunniest little ditty Rodriguez and husband/guitarist/second coming of W.C. Fields, Chris Beneke have ever been a part of. (Granted, my sample size is admittedly small. Like, one album. For all I know they could have been in a Monkees cover band in a past life. But I digress.) And, much as I love the Flaws’ independent work — and believe me, I do — this song friggin’ rocks. In fact, I’d say this little blend of garage crunch and subversive pop sparkle is just about the perfect tune for a day like today, as summer, nearing its final throes, begins to surrender to the steely, ceaseless inevitability of fall. Or something like that.
Anyway, here’s the cut. I hope you enjoy it.
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