The biennial is remarkable for its scale, clarity of vision and commitment to making current Native art visible to a broader public.

“Kill the Indian, Save the Man” by Nicholas Galanin Credit: Courtesy of Art Mûr
“Mona Lisa Smile,” digital print by Alison Bremner Credit: Courtesy of Art Mûr
“Tetrahedron 1,” beaded sculpture by Nico Williams Credit: Courtesy of Art Mûr
“Computer Desk,” soapstone and ivory sculpture by Ningeosiaq Ashoona Credit: Courtesy of Art Mûr
Untitled drawing by Qavavau Manumie Credit: Courtesy of Art Mûr
“Home Coming,” digital print by Sonny Assu Credit: Courtesy of Art Mûr
“Carousel,” sculpture by Ludovic Boney Credit: Courtesy of Art Mûr
“Freedom Flag” by Richard Heikkila-Sawan Credit: Courtesy of Art Mûr
“Woodland Child in Gas Mask” by Naomi Bebo Credit: Courtesy of Art Mûr