Jazz Mandolin Project, The Deep Forbidden Lake | Seven Days Vermont

Please support our work!

 Donate  Advertise

Jazz Mandolin Project, The Deep Forbidden Lake 

Published May 11, 2005 at 5:07 p.m.

(Lenapee Records, CD)

Vermont's mandolin prince Jamie Masefield plays his heart out on Jazz Mandolin Project's sixth release, The Deep Forbidden Lake. There's plenty of radiant music to be found in this collection of 12 instrumental covers; the disc is like a grand tour of leader Masefield's favorite melodies. With the help of keyboardist Gil Goldstein and upright bassist Greg Cohen, he expertly voices each tune.

Unhurried and lush, the record is not one bit "jammy" or meandering. Each piece is succinct, reverent and beautifully played. The luxurious bossa nova re-imagining of Neil Young's "Winterlong" starts things off wonderfully.asefield's mandolin and Goldstein's piano trade lines on Billy Strayhorn's "My Little Brown Book," which paints pictures of late nights in a posh New York City bar. Cohen provides a solid bass foundation throughout, making the tunes growl or thump as needed. He's got a rare sense of depth and space; you definitely feel his presence, but he never tries to take over.

The trio seems obsessed with pairs: They perform two Young numbers, two Django Reinhardt compositions, two Tom Waits classics and two Radiohead tunes -- including a hauntingly beautiful reading of "I Will," which sounds a little like an outtake from the Edward Scissorhands soundtrack.asefield deserves special credit for his work on the Reinhardt pieces; he really makes Django's fiery leads ring.

Goldstein's accordion playing on the title track is soft and churchy, like an old pump organ. But JMP can also bop with the best of 'em -- Ornette Coleman's "When Will the Blues Leave?" wraps up the disc with some amazing interplay between Masefield and Goldstein. Toy piano intersects with vibrant mandolin in a powerful album highlight.

The musical range of these three talents is impressive, as is Masefield's seamless weaving of such a wide variety of styles. Deep Forbidden Lake is another fine addition to JMP's growing body of work, and further proof that mandolin mastery doesn't begin or end with Bill Monroe, Mike Marshall and David Grisman.

candles in the shape of a 29

Light Our Candles?

Seven Days just turned 29. Help us celebrate and make it to 30!

Donate today and become a Super Reader. We’re counting on generous people like you for 129 gifts by September 27.

New: Become a monthly donor or increase your existing recurring donation today and we’ll send you a framable print of our once-in-a-lifetime eclipse cover photographed by James Buck.

Got something to say? Send a letter to the editor and we'll publish your feedback in print!

More By This Author

About The Author

Robert Resnik

Comments


Comments are closed.

From 2014-2020, Seven Days allowed readers to comment on all stories posted on our website. While we've appreciated the suggestions and insights, right now Seven Days is prioritizing our core mission — producing high-quality, responsible local journalism — over moderating online debates between readers.

To criticize, correct or praise our reporting, please send us a letter to the editor or send us a tip. We’ll check it out and report the results.

Online comments may return when we have better tech tools for managing them. Thanks for reading.

Latest in Album Review

Keep up with us Seven Days a week!

Sign up for our fun and informative
newsletters:

All content © 2024 Da Capo Publishing, Inc. 255 So. Champlain St. Ste. 5, Burlington, VT 05401

Advertising Policy  |  Privacy Policy  |  Contact Us  |  About Us  |  Help
Website powered by Foundation